2011 倫敦設計節 展示與裝置藝術

Source: London Design Festival 2011 displays & installations

Timber Wave' by Amanda Levete Architects

Cromwell Road Entrance
克倫威爾道入口

17 September–15 October 2011

2011年9月17日 至10月15日

‘Timber Wave’, a unique installation by Amanda Levete Architects and Arup, takes the V&A out onto the street in a dramatic celebration of the London Design Festival’s residency at the Museum. The three-dimensional latticework spiral is made of American red oak, using lamination techniques normally used in furniture making, and applied to create a piece 3 storeys high.

The work is supported by The American Hardwood Export Council.

“木製波紋”，由建築師Amanda Levete和Arup 所設計的獨特裝置，運用將V＆A走上倫敦街頭式的設計概念戲劇性的為博物館舉辦的設計節慶祝。三維螺旋狀格子是用美國紅橡木材，採用一般製造家具層壓技術，應用而創建了一個高達3層樓的裝置藝術。

這項工作獲得美國闊葉木外銷委員會的支持。

'Scaffolding Brut' by Beta Tank  香檳腳手架

Tunnel Entrance 地道入口

‘Scaffolding Brut’, an installation by Beta Tank, presents the studio's perception of scaffolding – both its current impact and its potential future. Using scaffolding as an artistic medium, Beta Tank presents the possibility that it may beautify and enhance the urban landscape that it dominates. This installation presents a variety of porcelain scaffolding parts as an argument in favour of beautifying this essential building infrastructure.

 “香檳腳手架”，由Beta Tank設計裝置，呈現了雕刻感觀的腳手架 – 兼具當前的影響和未來的潛力。使用腳手架作為藝術媒介，Beta Tank提出了它可美化並提升城市景觀優勢的可能性。這裝置表現一種瓷器製腳手架部份作為支持美化必要基礎設施建設一重要論點。

Textile Design degree show, 2006,
University of Arts. © Alys Tomlinson

紡織設計學位秀，2006年，藝術大學。

© Alys Tomlinson阿呂思湯林森

'BRITISH-ISH', curated by Giles Deacon

Galleries 118-125, British Galleries, Level 4

“英國 ISH”，由賈爾斯Giles Deacon執事策劃   

118-125畫廊，英國畫廊，4級

University of the Arts London delivers some of the most innovative arts and design teaching in the UK and produces some of the country’s top designers, from fashion stylists to photo-journalists. This display is curated by Giles Deacon, and celebrates the best new work from recent graduates, presenting distinctive designs formed in the crucible of British design education.

倫敦藝術大學提供最具創新性的藝術和一些在英國的設計教學和一些國家頂級設計師的創作，從時裝設計師到新聞記者的攝影。此展示是由賈爾斯執事策劃，慶祝近期的畢業生所設計最好的新作品，在英國設計教育嚴格的考驗下所形成獨特的設計。

'Textile Field' by Ronan and Erwan Bouroullec, in collaboration with Kvadrat

Ronan and Erwan Bouroullec與 Kvadrat合作的“紡織領域” 

Gallery 48a, Raphael Court

畫廊 48A，拉斐爾法院

‘Textile Field’ is an immersive installation made of coloured textiles and foam. Visitors are invited to lounge on this expansive sensual field within the magnificent environment of the Raphael Court, and to contemplate the surrounding Ronan and Erwan Bouroullec Raphael Cartoons from a new, uninhibited perspective.

“紡織場域”，是一種身臨其境的裝置設計運用色彩豐富的紡織品和泡沫材料製成。參觀者被邀請到拉斐爾法院壯麗環境裡的這個廣闊的感性領域內的休息室，並從一個新的，不羈的角度看仔細設想Ronan and Erwan Bouroullec情境的拉斐爾卡通漫畫。

'Beyond the Valley: an interactive print journey'

深幽遠谷：一個互動的繪畫之旅”

Gallery 55, Clore Study Room, British Galleries,
Level 2

畫廊55，Clore自修室，英國畫廊，2級

'Beyond the Valley' invites you to sit back, relax and enjoy a unique interactive experience in a specially designed and upholstered station within the British Galleries. Here, using an ipad, you can delve into the creative’s mind and interact with the surrounding print. The application lets you change the patterns at a touch: add gold leafing, create new shapes and living creatures, or interact with an engraved forest. Visitors can share their creations on social media sites and display their masterpiece as the wallpaper on their ipad or iphone.  

邀請您坐下來，放鬆享受在英國畫廊中的一個獨特的專門設計和裝飾互動體驗“深幽遠谷”。在這裡，可使用 iPad，深入到創作者的意念和與周圍畫作互動。該應用程序可讓你藉由觸摸而改變了圖案：增加金色初葉浮現，創建新的形狀和生活創物，或互動深刻森林。遊客們可以在社交媒體網站分享他們的創作，並顯示他們的傑作可用在iPad或iPhone當桌面背景。

V&A and Me: Designer Maps, by johnson banks

V＆A和我：由強生銀行製作的設計地圖

Available daily from the Exhibition Road Entrance and the Grand Entrance

可每天從展覽路入口和大型入口獲得

Michael Johnson’s ‘Designer Maps’ celebrate the V&A as a very special place which delights and inspires creative people, from artists and designers to writers and musicians. For this project, five individuals (Annie Lennox, A S Byatt, Judi Dench, Lulu Guinness and Tom Dixon) have chosen their favourite aspects of the V&A, which the johnson banks studio have turned into beautiful, exclusive ‘tour maps’. These can be used to follow a special, personal tour through the Museum.

邁克爾約翰遜的“設計地圖”將V＆A作為一個慶祝設計節很特別的地方，能從藝術家和設計師作家和音樂家能歡欣和鼓舞的激發人們創意。對於這個計畫，五個個別的設計師（安妮藍妮克絲，AS拜阿特，朱迪丹奇，露露吉尼斯和湯姆迪克森）選擇了自己喜愛的V＆A層面，讓對約翰遜銀行工作室變成美麗的專屬“旅遊地圖”。這些可以被用來追踪一個特別和個人式的博物館旅遊。

BLOOM Table Lamp designed by Patrick Jouin

布盧姆檯燈的設計 Patrick Jouin 設計

Industrial Revolution 2.0: How the Material World Will Newly Materialize

工業革命2.0：如何將新的物質世界具體化

Around the Museum

博物館周圍

Renowned New York-based design gallerist and curator Murray Moss will collaborate with industry leader Materialise, Belgium to create this special exhibition which pushes the parameters of 21st century 3D ‘printing’. A series of unique ‘printed’ works, using cutting edge laser and digital technologies to build three-dimensional objects, are placed throughout the Museum’s most important galleries, wittily referencing eight of the Museum’s key pieces and spaces.

紐約著名的設計畫廊和策展人穆雷莫斯將與行業的領導者Materialise的，比利時創建這個特殊展覽，推動 21世紀 3D“繪畫”的參數。一個獨特的“印刷”系列作品，採用先進的激光和數字技術建立三維物體，放置在整個博物館的最重要的畫廊，風趣地引用了博物館的關鍵部分和空間。

'On The Case – Constrictions Of…' by Barry Martin

“在容器內 收縮 的...”由巴里馬丁設計

Sackler Centre Entrance Lobby

賽克勒中心入口大廳

The conventional display cabinet used in museum and gallery exhibitions has hardly changed in form, function and shape since its inception several hundred years ago. As such, the display case stands in a twilight zone of opposites: it is seen but not seen. It is looked at but not looked at. It exists but does not exist. It is more cursed than celebrated and it is mostly ignored! This installation by Barry Martin seeks to challenge these stereotyped perceptions, and question the concepts that formulate the ways of seeing imposed on the viewer. It is also a celebration of the case in point, the CABINET that cries out ‘I CAN'T BE!' 
Supported by Perton Signs

在博物館和畫廊展覽用的傳統展示櫃，自成立幾百年歷史以來幾乎沒有改變外形，功能和形狀。因此，顯示的情況下站在了對立面的模糊地帶：它是沒有見過的觀察。它未見過的注視。它存在，亦不存在。它悲慘勝於慶祝，幾乎被忽略！這份由巴里馬丁裝置旨在挑戰這些刻板印象，並質問有關的概念，制定觀看方式強加在觀者身上。這也是一個很好的慶祝活動的切入點，櫥櫃大聲呼喊“我不能！” 
由Perton Signs支持

Brutal Simplicity of Thought, M&C 
Saatchi
野蠻的簡單思想，M＆C
薩奇
'Brutal Simplicity of Thought: How It Changed the World' by M&C Saatchi

Sackler Centre, Level 1

“野蠻的簡單思想：它如何改變了世界”由M＆C薩奇

賽克勒中心，1級

Simplicity looks easy. It’s not. It’s easier to complicate than to simplify. This display by M&C Saatchi brings to life stunningly simple examples of concepts that have changed the world - from God to the humble paper clip; it celebrates moments when Brutal Simplicity of Thought ruled the world and showed that Nothing is Impossible. Based on the soon to be published book Brutal Simplicity of Thought (Ebury Publishing), this display aims to make us see everything afresh. It is the distillation, in words and pictures, of the Saatchi approach.

看起來簡單容易。事實並非如此。它更容易複雜化，而不是簡化。這由M＆C薩奇顯示生活帶來驚人的簡單​​的例子，改變了世界的概念 - 從上帝到謙卑的文件夾，它慶祝的時刻是當野蠻的簡單思想統治世界，發現沒有什麼是不可能的。根據即將出版的書的野蠻簡單思想（Ebury出版），此顯示的目的是使我們重新看到的一切。它是精髓，以文字和圖片，用薩奇式的方法。

Sofa Pyrenees, designed by Fredrikson

庇里牛斯山沙發， ​​由Fredrikson設計

Stallard, 2007. © Thomas Brown

斯托拉德，2007。©托馬斯布朗

Outset Design Fund

開端設計基金

The Outset Design Fund to Benefit the V&A has been established to acquire outstanding contemporary design for the V&A. This display shows the first year’s selection, including work by Nendo, BCXSY, Fredrikson Stallard, Platform and Satyendra Pakhalé.

一開端設計基金已經建立對V＆A的效益 已收購V＆A優秀的現代設計 這個屏幕顯示第一年包括Nendo，BCXSY，Fredrikson Stallard，平台和 Satyendra Pakhalé等的作品。

A Pylon for the Future

一個迎向未來的塔柱

Staircase A. Landing, Level 4
14 September–5 October

樓梯A.著陸，4級

9月14日至10月5號

The electricity pylon is an iconic image of how electricity has changed our lives and landscape. It divides opinion, stirs emotion and has barely changed in 75 years. But as technology and design evolve, what will be the pylon of the future? In May 2011, RIBA, DECC and National Grid launched a competition to design a new pylon. This display shows the short-listed designs - come and help choose the winner.

電力塔的標誌性形象是如何改變我們的生活用電和景觀。它劃分意見，攪拌情感在75年幾乎沒有改變。但隨著技術和設計發展，會有怎樣的未​​來鐵塔？2011年5月，英國皇家建築師學會，長者地區中心和國家電網展開了競爭，設計一個新的橋塔。這顯示顯示入圍的設計 - 過來幫忙選擇贏家。

VIP Lounge, by Nigel Coates

貴賓室 由奈傑爾科茨設計

Sackler Centre, Level 1

賽克勒中心，1級

The VIP Lounge showcases Coates’ latest designs for the unique British furniture producer Hitch Mylius, and Italian lighting supremo Slamp. These two companies represent part of Coates’ creative territory in product design.

Featuring the HM63 sofa system, a meandering seating arrangement that is particularly conducive for conversation, and Coates’ beautiful Faretto light, for Italian lighting company Slamp.

在貴賓廳展示了獨特的英國希契Mylius家具生產，和意大利照明掌門 Slamp科茨的最新設計。這兩家公司在產品設計創意領域代表了科茨“的一部分。

HM63沙發系統特色，一條蜿蜒的座位安排，特別是有利於談話，和Coates“美麗的聚光燈光，由意大利Slamp照明公司提供。


參考資料：


20110916 Aircafe Break